Latvian Radio Choir
Kaspars Putniņš, conductor
Release date - 18.08.2017
The wonderful works chosen for this album – each one with its own story and distinct character – collectively create something similar to a dear childhood home to which we need to return from time to time.
The majority of Latvia’s choir conductors have probably grown up with these songs whose imagery, sound and colour are deeply encoded in our consciousness, perhaps to a much greater extent than we realise.
The subdued northern nature that bursts into a lavish display at the height of summer and the “various emotional states of the soul”, as Emīls Dārziņš described the subjects that interested him in music – these two themes, their refined interrelations and the resultant imagery are to my mind the most important features of our choral music.
It is very important for me to feel how the fantastic world of these songs comes to life again in our consciousness and imagination at a time when life is changing all around us and individual experience has once again added something new and come full circle. It is important to return home to meet one’s self.
Working on this album, I have felt as if I am writing a love letter. On your one hundredth birthday I wish you many returns of the day, dear Latvia!
Martin Cullingford, Gramophone ,01.10.2017
Editor’s Choice, Awards Issue, 2017 EDITOR’S CHOICE introduction: This is a truly beautiful album of Latvian choral works performed by singers clearly immersed in its musical and cultural foundations. Martin Cullingford This is a collection of Latvian choral music selected in honour of the centenary of the independence of Latvia. As conductor Kaspars Putninš says in his introductory note: ‘The majority of Latvian conductors have probably grown up with these songs whose imagery, sound and colour are deeply encoded in our consciousness … Working on this album, I have felt as if I am writing a love letter.’ It sounds that way. One is gripped by the very first track, the atmospheric, insistent prophecy that is ‘Senatne’ (‘Long Ago’) by Emīls Dārziņš (1875-1910), every nuance of which is captured by the Latvian Radio Choir. Did they weep while recording the second song by Darzinš, ‘Mēness staro stīgo’ (‘Moonbeams’)? I did. They sing with every fibre of their being. There is, in fact, something extraordinary about Latvian choirs: they sing as though their very lives depend on it, and when they are singing Latvian music their immediate connection with the language makes this even more apparent. There is both Nordic clarity and Slavic profundity to be heard in the sound of a Latvian choir, and there is also what I might call a poetic sense, an instinctive knowledge of how to phrase. All this is beautifully, movingly evident on this disc. All five of the composers recorded here are outstanding but what stays with me is the music by Darzinš and the wonderful, disturbing ‘Biķeris miroņu salā’ (‘The Goblet on the Isle of the Dead’) by Jānis Zālītis. At all events, this is a celebration of Latvian choral music that should not be missed. As Putninš also writes, ‘Many returns of the day, dear Latvia!’
Rob Barnett, MusicWeb International ,30.08.2017
"Gentle music, touchingly sung and introducing non-Latvian listeners to some lustrous delights." - Rob Barnett
Stephen Pritchard, The Guardian ,20.08.2017
Featuring a pure soprano line and sonorously rich basses, the choir charts a path through the development of Latvian choral music, majoring on the works of Jāzeps Vītols (1863-1948), whose extended masterwork, David Before Saul is a highlight, rivalled by Emilis Melngailis’s heartbreaking Move Gently and Quietly.
Richard Fairman, The Financial Times ,10.09.2017
The life-giving rays of the sun are an eternal image in the poetry of the frozen North. In Emilis Melngailis’s “Nature and the Soul”, which gives this disc its title, music with its roots in the folklore of the region adds its voice. In time for the centenary of Latvia’s independence in 2018, the Latvian Radio Choir and its director, Kaspars Putninš, have chosen to showcase five of their native composers from the early decades of the 20th century. The music is mostly simple, choral ballads couched in a succinct expressive language. The choir’s singing, as always, is exemplary.